R Madhavan’s striking transformation as National Security Advisor Ajit Doval in Dhurandhar is making waves. The espionage thriller, directed by Uri filmmaker Aditya Dhar, is inspired by true events and revolves around a covert mission that rattled a neighbouring country. With intense eyes and an authoritative aura, Madhavan’s look has already captivated audiences, setting high expectations for this high-stakes spy drama.
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R Madhavan Transforms Into Ajit Doval for ‘Dhurandhar’; First Look Leaves Fans Mesmerized
What to Watch This July: From Bollywood Blockbusters to Hollywood Comebacks and OTT Thrillers
Bollywood takes center stage with Metro In Dino kicking off the month on July 4.
From big-screen blockbusters to streaming thrillers, July 2025 is packed with powerful premieres across Bollywood, Hollywood, and OTT platforms. Here’s your ultimate guide.
Bollywood Theatrical Releases
Romance, drama, action—this July brings something for every cinephile.
4th July- Metro In Dino
A multi-starrer slice-of-life drama promising emotional highs.
11th July- Aankhon Ki Gustakhiyan
An epic romantic saga set in a bygone era.
11th July- Maalik
A political thriller set against turbulent times.
18th July- Saiyaara
A musical romance that tugs at the heartstrings.
18th July- Tanvi The Great
A soulful story about fame, resilience, and redemption.
25th July- Son Of Sardar 2
Action-packed sequel with trademark humor and drama.
25th July- Param Sundari
A glamorous, dance-driven entertainer with a strong female lead.
Post Link: https://www.instagram.com/p/DLes80fKJ_n/?igsh=MW9hemhsMHZ1OWczeA==
OTT Releases
From gritty crime thrillers to fresh seasons of fan-favorite shows.
2nd JulyHeads Of State
A political action thriller set on a global stage.
4th July- The Hunt: Rajiv Gandhi Assassination Case
A documentary-style deep dive into history’s dark pages.
4th July- Kaalidhar Laapata
A twisted mystery that unravels secrets in the shadows.
11th July- Special Ops Season 2
The elite spy team returns with even higher stakes.
11th July- Aap Jaisa Koi
A romantic drama exploring identity and second chances.
16th July- The Summer I Turned Pretty: Season 3
The coming-of-age saga continues with more heart and heartbreak.
18th July- Vir Das: Fool Volume
A new stand-up special with sharp satire and global wit.
25th July- Sarzameen
A gripping tale of love, loss, and identity.
25th July- Mandala Murders
A psychological thriller steeped in secrets and serial crimes.
Post Link: https://www.instagram.com/p/DLuepG9MifZ/?igsh=Z294MTRxMG05YTZ1
Hollywood Theatrical Releases
Blockbusters, reboots, and sequels make July a global movie month.
4th July- Jurassic World: Rebirth
Dinosaurs return in a new-age reboot packed with action.
11th July- Superman
The Man of Steel flies back in a much-anticipated reimagination.
18th July- Smurfs
The beloved blue crew is back with a brand-new animated adventure.
18th July-I Know What You Did Last Summer
A modern slasher retelling with new-age thrills.
25th July- The Fantastic Four: First Steps
Marvel’s iconic quartet returns in their origin story.
Post Link: https://www.instagram.com/p/DLkEXFyKn52/?igsh=MWFqaXA0b2lvdjZqYQ==
July is sizzling with screen magic—across genres, platforms, and languages!
Movified Exclusive: “Agar royalty mile toh actors frustrated nahi rahenge,” says Amit Sial on industry reforms
In a Exclusive Conversation with Movified, acclaimed actors Amit Sial and Sahil Vaid shared their thoughts on much-needed changes in the Indian film industry. One topic that resonated deeply with both artists was the lack of royalty for actors, a system prevalent abroad but still absent in India.
When asked about one thing they would change in the industry, Amit Sial responded passionately, “Actors ko royalty milni chahiye… taaki woh frustrated na rahein. Jab ek kaam khatam hota hai, toh agli job ke liye bhaagna padta hai. Lekin agar royalty ho, toh jeevan vyapan ke liye kuch na kuch milta rahega.” He went on to add how artists work tirelessly on a project, but once it’s done, their contribution often feels sidelined.
Backing his sentiment, Sahil Vaid chimed in, “True, maine kabhi socha nahi tha iss baare mein. Agar royalty milne lage, toh actors apne craft pe sach mein focus kar sakte hai — bina survival ki chinta ke.”
Amit concluded by stating, “Royalty se kaam bhi improve hoga… actor zyada focused rahega.”
Post Link: https://www.instagram.com/reel/DLt3UpDsRLC/?igsh=MTE1b250NnU5ZXB3MQ==
It’s a thought-provoking conversation, one that sheds light on the financial insecurities many actors quietly endure despite their visible success.
Metro In Dino Movie Review: Anurag Basu’s Brilliant Amalgamation of Jagga Jasoos and Life in a metro!
Movie Review by Prashant Shukla
Plot:
Spread across cities like Mumbai, Pune, Delhi, Kolkata, and Bangalore, Metro In Dino follows the bittersweet stories of four couples. There’s an old school reunion party grappling with the idea of space in a marriage; a relationship where the question “Is he the one?” looms large; a marriage dealing with infidelity and the loss of spark; and another marriage exploring the struggle of holding onto each other and giving the relationship a chance. All of this is wrapped in plenty of laugh music and tears!
The Performances:
There’s an old saying in cinema that an actor’s performance is only as good as the writing of the film-both go hand in hand. Metro In Dino is an apt example of that phrase. Anurag Basu’s writing- especially the way he maps and fleshes out the characters-is so meticulous that the room for the ensemble to mess-up is almost negligible. This makes an anthology/musical like ‘Metro In Dino’ so engaging and entertaining. But if I still had to pinpoint moments, it would be a musical sequence featuring Anupam Kher narrating his story and Ali Fazal during a song in the climax. It will melt you soul like a candle during a choir.
The Musicals:
There’s no point in discussing the quality of the songs-Pritam has absolutely cooked! But it’s the musical approach to the storytelling that deserves a closer look. Basu seems determined to perfect and, in some ways, finally nail what he was trying to achieve in Jagga Jasoos. Unlike Life In A… Metro, where the songs reflected the characters’ emotional states, in Metro In Dino, the characters break the fourth wall and directly narrate their stories and situations. This could have gone wrong in so many ways, but no-it genuinely feels engaging and is a clear sign of a director whose filmmaking skills are evolving.
The Nostalgia and Evolution:
Metro In Dino is a film that upholds the value of its nostalgic element while telling a story that mirrors the world we live in today. There are several callbacks to the first part-not just through dialogues but also in the way many characters are written (I’m not going to spoil anything by specifying). At the same time, there are plenty of plot points that reflect the struggles and confusion people experience nowadays. Existential crises, inclusivity, societal pressures- all of it makes Metro In Dino feel like a deeply personal experience.
What Could’ve Been Better:
To start with, I never thought I’d say this about an Anurag Basu film, but the cinematography here doesn’t have a soul when compared to Life In A… Metro. Back then, the way he used taxis, buses, local trains, the rain, and even traffic signals- with their contrast-heavy frames-made Mumbai feel like a key character. But here…the film often looks like an advertisement. There isn’t any distinguishing visual identity for any of the cities. Secondly, there are certain moments in the second half where Anurag seems so invested and absorbed in connecting these stories that he momentarily loses a strong grip on the pacing.
Post Link: https://www.instagram.com/p/DLr98wuKmBz/?img_index=6&igsh=MWVnM203OXluc3Fnbg==
Final Verdict:
In conclusion, Metro In Dino is call-back to the bollywood-buffs on the big screen that feels like a warm cup of chai on a rainy evening!
Anjini Dhawan Wins Best Debutant Movies (Female) for ‘Binny and Family’ at the Movified Digital Awards 2.0
Making a striking entry into Indian cinema, Anjini Dhawan has won Best Debutant Movies (Female) at Movified Digital Awards 2.0 for her heartfelt role in Binny and Family. Her screen presence sparkled with an emotional honesty that connected instantly with audiences.
In Binny and Family, Anjini portrayed a young woman juggling familial expectations and personal aspirations with a grace beyond her years. What stood out was her ability to switch from light-hearted moments to emotionally rich scenes with seamless finesse. Her debut didn’t just introduce a promising face, it announced the arrival of a performer to watch.
The Promoter of Movified, Sudhanshu Kumar, stated: “It brings me great joy to present the second edition of the Movified Digital Awards. This initiative began with a single purpose — to give heartfelt recognition to those whose talent truly deserves the spotlight.
It’s not just about awards; it’s about honouring the passion, dedication, and creativity that goes into every story.
Post Link: https://www.instagram.com/reel/DLryv61M2Fh/?igsh=MXYzeG1ja3ZsYmJ0eg==
To the winners and nominees — congratulations. And our growing Movified community — thank you for making this vision come alive. Here’s to meaningful cinema, to voices that matter, and to celebrating the magic of storytelling — always.”
Announcing the winners, Neekita Singh, Director of Movified, stated: “As the Director of Movified, it brings me great pride to present the second edition of the Movified Digital Awards – a celebration of pure talent, passion, and cinematic excellence. This initiative was born out of a desire to recognize and celebrate the talent that truly deserves the applause—both in front of the camera and behind it.
We’re here with the second edition of the Movified Digital Awards and with every edition, our purpose remains clear – to recognize and uplift true talent.
I extend my heartfelt congratulations to all the winners & nominees and our ever growing Movified community for making this vision a reality.
Here’s to cinema, to stories that stay with us, and to the power of recognition. The journey continues, and Movified will always be here to celebrate the spirit of the screen.”
Movified Exclusive: Faisal is a Sweetheart!, Panchayat Fame Sanvikaa Opens Up About Her Bond With Co-Stars and Staying Grounded Despite Fame
In an exclusive chat with Movified Bollywood, Sanvikaa, the much-loved actress from Panchayat, revealed how little has changed in her personality despite the overwhelming success of the show. When asked how life has transformed post-Panchayat, she humbly said, “Major-major wise, Sanvikaa jaise pehle thi, vaisi abhi bhi hai… it’s not like I’ve turned into a diva or anything. I’m still very simple.”
While she acknowledges that her lifestyle has improved, she candidly admitted her dressing sense has become more casual than ever before:
“Pehle main decent dress hoke nikalti thi… ab toh pajama, t-shirt mein hi nikal jaati hoon. But no complaints — I’m comfortable with who I am.”
When asked about her bond with the Panchayat family, Sanvikaa’s warmth was undeniable.
“Meri sabke saath bonding bohot achi hai. Genuinely! I talk to everyone, I have no ego issues.”
During a fun rapid-fire round, Sanvikaa was asked to describe her co-stars in one word. Her answers were both sweet and telling of their off-screen camaraderie:
Jitendra Kumar: “Genuine”
Faisal Malik: “Sweetheart”
Neena Gupta: “Strong”
Raghubir Yadav: “Very childlike”
Chandan Roy: “Smart”
Sunita Rajwar: “Very innocent – opposite of her on-screen character”
Ashok Pathak: “Baba – we call each other Baba fondly” (giggles)
Particularly, her affectionate remark about Faisal Malik — “Sweetheart” — caught attention, reaffirming the beautiful bond the Panchayat cast shares off-camera too.
Sanvikaa also addressed a cryptic Instagram post she once made that stirred a buzz in the media. Clarifying the context, she said, “It came from a very personal space. Only 2-3 people know what it was really about. I was hurt, and I wanted to vent. I still stand by it, and I’m glad I took a stand for myself.”
Despite her rising fame, Sanvikaa’s grounded nature, candid charm, and genuine love for her co-stars continue to make her a fan favorite — both on and off screen.
Deepika Padukone Creates History: First Indian Actress to Receive Hollywood Walk of Fame Star
Global icon Deepika Padukone is set to carve her name on the streets of Los Angeles — literally! The Pathaan star has been selected as part of the Hollywood Walk of Fame Class of 2026 under the Motion Pictures category, making her the first Indian actress ever to receive this prestigious honor.
The news was met with immense pride back home and among the Indian diaspora worldwide. With this recognition, Deepika joins a class of 35 honorees, including names from film, television, Broadway, music, and comedy — solidifying her place in global cinema history.
This is yet another international milestone for Padukone, who has consistently made her mark beyond Bollywood — from presenting at the Oscars to starring in XXX: Return of Xander Cage alongside Vin Diesel.
Her inclusion on the Walk of Fame not only acknowledges her global stardom but also reflects the rising influence of Indian talent on the international entertainment map.
As fans celebrate this historic moment, the spotlight is firmly on Deepika — not just as an actress, but as a cultural ambassador who continues to break boundaries and rewrite records.
Vinod Rawat Wins Best Director Movie (Critics) Award for ‘Pushtaini’ at the Movified Digital Awards 2.0
Vinod Rawat has been awarded Best Director – Critics at Movified Digital Awards 2.0 for his delicate and profound work in ‘Pushtaini’. A film that reflects the deep-rooted connections of heritage, identity, and longing, Rawat’s direction offered a cinematic meditation on belonging and emotional legacy.
With every frame in Pushtaini, Rawat created a visual poem intimate, lyrical, and hauntingly real. He brought the mountains alive with quiet drama and allowed his characters the space to breathe, unravel, and rebuild. His sensitive treatment of storytelling is what won over critics, and this award stands testament to his singular voice in Indian independent cinema.
The Promoter of Movified, Sudhanshu Kumar, stated: “It brings me great joy to present the second edition of the Movified Digital Awards. This initiative began with a single purpose, to give heartfelt recognition to those whose talent truly deserves the spotlight.
It’s not just about awards; it’s about honouring the passion, dedication, and creativity that goes into every story.
To the winners and nominees- congratulations. And to our growing Movified community, thank you for making this vision come alive. Here’s to meaningful cinema, to voices that matter, and to celebrating the magic of storytelling always.”
Announcing the winners, Neekita Singh, Director of Movified, stated: “As the Director of Movified, it brings me great pride to present the second edition of the Movified Digital Awards – a celebration of pure talent, passion, and cinematic excellence. This initiative was born out of a desire to recognize and celebrate the talent that truly deserves the applause, both in front of the camera and behind it.
We’re here with the second edition of the Movified Digital Awards and with every edition, our purpose remains clear – to recognize and uplift true talent.
Link: https://www.instagram.com/reel/DLmppxxMQje/?igsh=ZXducGQ4M2w4NDVr
I extend my heartfelt congratulations to all the winners & nominees and our ever growing Movified community for making this vision a reality.
Here’s to cinema, to stories that stay with us, and to the power of recognition. The journey continues, and Movified will always be here to celebrate the spirit of the screen.”
Tara Sutaria And Veer Pahariya Are Dating? Couple Holidays Together In Capri – Deets Inside
Bollywood’s rumour mill is back in overdrive and this time, it’s anchored somewhere between the sparkling waters of Capri and the hearts of two of the industry’s most buzzed-about stars. Yes, we’re talking about actors Tara Sutaria and Veer Pahariya, who are allegedly vacationing together on the ultra-luxe Italian island and their not-so-subtle social media clues are fanning the flames of a possible summer romance.
The whispers started when both Tara and Veer began sharing picturesque snaps from Capri – cliffs, cobblestone alleys, endless Aperol Spritz aesthetics, but things really escalated when eagle-eyed fans noticed both posted Instagram Stories from what appears to be the same yacht, at the same time, featuring the exact same view of the rocks at sunset.
Coincidence? Highly unlikely. An insider who claims to have seen the pair onshore told us, “They’re not trying super hard to hide it, but they’re not flaunting it either.”
Tara was also spotted having gelato, while Veer was shopping. The sources added that their chemistry was palpable. “They couldn’t stop laughing. There were serious sparks,” said an onlooker.
Tara, fresh off a string of film shoots, has been embracing her glow-up era. Veer, who’s kept a relatively low profile since his hit earlier this year seems to be stepping back into the spotlight.
If their sun-kissed posts and getaways are any indication, this might be the Bollywood coupling of season to watch. Capri may be known for its breathtaking views, but this summer, it’s giving us a new age fairytale.
From Satya to Malik: Saurabh Shukla Decodes the Evolution of Action Cinema in India
At a recent trailer launch event, veteran actor, director, and writer Saurabh Shukla took a reflective pause, revisiting the legacy of his cult classic Satya—a film that redefined realism and grit in Indian cinema. As Satya completes 27 years, Shukla not only paid tribute to its enduring impact but also opened up about the ever-changing nature of action films in Hindi cinema.
When asked how the action genre has transformed over the years—from the rawness of Satya to the stylised spectacles of Pushpa, KGF, Animal, and the upcoming Malik, Saurabh Shukla offered a candid and thoughtful response.
“I think it’s ever evolving, the world keeps evolving… but I’m really happy about it. Main ek chhota sa kissa aapko batata hoon. Main jis samay yahan aaya tha—I came in 1993—us waqt ek formula tha filmon ka. Satya uss formula ko todti thi. Tab kaha jaata tha ki kahaani aise likhni chahiye… but aaj, jis daur mein hum hain, mujhe ek producer mila aur unhone kaha, ‘Saurabh bhai, aap kuch likhiye… waise jaise uss waqt likhte the na, uss tarah ka kuch likhiye.’”
The statement not only reflects his nostalgia but also underlines how audiences and filmmakers have grown. Shukla emphasized that today’s commercial action cinema is no longer just about loud stunts and stylised violence — it now embraces realism, layered characters, and artistic nuances.
“Malik, for instance, is a commercial, action-packed film. But there’s an abundance of realism and artistic value. That’s a great thing — pehle baant diya jaata tha ki yeh art cinema hai, ismein nuance hai. But aaj ki filmon mein dekhiye, inke andar bhi itne nuances hain jise play karne mein actors ko maza aata hai, filmmakers ko kehne mein maza aata hai. This is, I think, a great evolved thing which has happened.”
Saurabh Shukla’s words serve as a reminder that cinema is a living organism — shaped by changing times, evolving audiences, and a newfound respect for storytelling. From the realism of Satya to the grand-yet-nuanced storytelling in films like Malik, the Indian action genre has come a long way and according to Shukla, the journey is only getting richer.
