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Shanaya Kapoor co creates Indinoor for modern Indian jewelry

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Jewelry is more than just an accessory it’s a story, a feeling, and a way to express who you are. Indinoor, a new Indian jewelry brand co-created by Shanaya Kapoor and Gauri Tandon, captures exactly that.

Where Heritage Meets Today’s Style

Every piece from Indinoor feels like a beautiful blend of India’s past and present. The brand takes inspiration from traditional Indian designs from the royal charm of temple and kundan to the delicate sparkle of zircon and the sacred beauty of temple jewelry.

But what makes Indinoor stand out is how it gives these age-old styles a modern, wearable edge. The jewelry looks grand yet feels light, making it perfect for both big celebrations and small, everyday moments. Whether it’s Diwali, a friend’s wedding, or even a casual brunch, Indinoor has something that helps you shine effortlessly.

Shanaya Kapoor: More Than a Brand Ambassador

Unlike most celebrity faces of brands, Shanaya Kapoor is not just promoting Indinoor she’s building it. As a co-creator, she works closely with the design team, helping with product curation and creative direction. Her own sense of style, elegant, young, and confident shapes the collections beautifully.

Her involvement brings a personal, human touch to the brand one that feels authentic and relatable.

 

Jewelry for Every Moment

For a long time, traditional jewelry was seen as something you only wore at weddings or festivals. Indinoor changes that idea. The brand encourages women to wear jewelry for themselves, not just for events.

Every piece tells a story of celebration, self-love, and confidence. It’s for the woman who believes every day deserves a little sparkle. Whether you’re dressing up for a festive night or adding a touch of gold to your morning outfit, Indinoor helps you feel special without overdoing it.

The House of Isharya Legacy

As a sister brand to Isharya, Indinoor inherits a legacy of craftsmanship and trust. While Isharya is known for its bold, global style, Indinoor brings that same quality and creativity into the heart of Indian tradition.

Together, they show that jewelry can be both timeless and trendy, both heritage and happening just like the women who wear it.

 

A Celebration of Modern Indian Beauty

With Shanaya Kapoor as co-creator, Indinoor is more than a jewelry brand; it’s a movement that celebrates modern Indian elegance. Every design reflects artistry, confidence, and warmth.

This festive season, let Indinoor remind you that beauty lies in the balance between tradition and today, between sparkle and simplicity, and most importantly, between jewelry and joy.

Gulshan Devaiah on Embracing Authenticity: “Being Called Gay Doesn’t Insult Me — It’s Normal”

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In an exclusive conversation with us, actor Gulshan Devaiah spoke candidly about embracing authenticity, breaking stereotypes, and his experiences in the film industry.

Appreciated for his honesty and unfiltered views, Gulshan shared that he doesn’t get offended if someone calls him gay, adding that being gay is completely normal. “As an actor, I play all kinds of characters. If someone calls me an idiot, that would offend me — but being called gay doesn’t, even though I’m straight,” he said, highlighting the importance of normalizing such conversations.

During the chat, Gulshan also recalled a lighthearted moment from the sets of Goliyon Ki Raasleela Ram-Leela, where director Sanjay Leela Bhansali asked him to fall like Shah Rukh Khan in a particular scene. Laughing about it, he said he jokingly replied that he might need back surgery if he tried to recreate that iconic SRK fall.

With his blend of wit, humility, and sincerity, Gulshan Devaiah continues to stand out as one of Bollywood’s most grounded and self-aware talents.

You can watch the whole interview here: https://www.instagram.com/reel/DQOj4Kejocx/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

Gulshan Devaiah Recalls Being Starstruck by Deepika Padukone and Shah Rukh Khan

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In an exclusive conversation with us, actor Gulshan Devaiah opened up about his experience of being starstruck while working alongside some of Bollywood’s biggest stars. Reflecting on his time on the sets of Ram-Leela, he admitted feeling extremely nervous around Deepika Padukone, constantly overthinking how to approach and speak to her.

The actor also shared a memorable anecdote about visiting Shah Rukh Khan’s residence, Mannat, for a party. Accompanied by Anurag Kashyap and Kalki Koechlin, Devaiah said he was in complete awe of both the superstar and his iconic home. “I was starstruck everywhere in the house,” he added with a smile.

You can watch the whole interview : https://www.instagram.com/reel/DQMPs1ijNT0/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

“Raat Gayi, Baat Gayi”: Twinkle Khanna Says Physical Infidelity Isn’t Necessarily a Deal Breaker in Conversation with Janhvi Kapoor

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Twinkle Khanna and Kajol recently discussed infidelity with Karan Johar and Janhvi Kapoor on their talk show. While Janhvi considered physical infidelity a deal breaker, the others felt it could be overlooked. Janhvi stood alone in her view that physical cheating was unacceptable, whereas Twinkle and Kajol believed emotional betrayal was more serious. Karan said, “Physical infidelity is not a deal breaker,” and Janhvi countered, “No, the deal is broken.” Twinkle added, “We’re in our 50s, she’s in her 20s, and she will soon enter this circle. She hasn’t experienced what we have. Raat gayi baat gayi (What’s happened, has happened).”

Movified Reviews: THAMMA: An inconsistent cameo fest that wastes its potential, big time!

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Review by Prashant Shukla

Plot :

Alok Goyal, a small-time news anchor, accidentally enters a mysterious forest during a vacation and is saved by a Betaal (vampire) named Taadka. What follows is a tale of ancient lore, hidden secrets, flashy revenge, and an unconventional romance forming the core of the film.

Performances :

The performances in the film are your standard horror-comedy universe fare — the mystical and quiet female lead who occasionally reveals her power, the clueless, misfit male lead discovering a new world, and the side characters and villains goofing around for laughs. It’s all something you’ve seen before!

The BGM and Hand to Hand Combat :

Two of the film’s positives have to be the BGM and the grounded fight sequences. The background score by Sachin–Jigar truly elevates the experience, especially with the creative instrumental use of the song ‘Rahey Na Rahey Hum’. Without giving away spoilers, there’s a slick fight scene in the second half that stands out for its choreography — but even that moment gets spoiled by an ugly CGI shot!(more on that later)

The Horror & The Comedy :

Both the elements that built this universe are missing in THAMMA. I wasn’t really expecting horror, and the film didn’t prove me wrong there, but I did hope for some comedy, and it definitely let me down. The jokes feel heavily borrowed from previous films or outdated Instagram memes; not for a single second will you giggle or even smirk — it’s that dull!

The Romance :

I’ll say this with utmost honesty — the chemistry between Rashmika and Ayushmann feels completely off. They fail to spark any emotion; it all looks artificial, as if they’re together only because the plot demands it. And that’s mainly because their characters weren’t written well to begin with. In simple words, their chemistry is as paper-thin as the plot!

The Story :

Thamma feels more like a setup for future events in the universe than an actual film. It hurriedly introduces new protagonists and antagonists without giving them any depth or charm, trying to compensate with cameos, random fight sequences loaded with terrible CGI, and a bunch of unnecessary item songs. The world of Betaal had immense potential, but the film barely scratches the surface and quickly forgets about it!

Final Verdict :

Thamma is far from the charm of films like Stree 1 & 2, the innocence and fun of Munjya, or even the ambition of Bhediya. It simply exists as the weakest entry in the horror-comedy universe!

LEGACY (Tamil) On Netflix 2026

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IG post – https://www.instagram.com/p/DPvbe9zAIh9/
Key Art – https://drive.google.com/file/d/19HGRMl59r0RtIqlBuPc8gdypDFgRX09d/view?usp=drive_link
Photo Op – Talent – https://drive.google.com/file/d/1knLYFIDm2fXZISFT5uOQAi-b2MjEIM7V/view?usp=drive_link
Photo Op – Talent + Exec – https://drive.google.com/file/d/1jDYWWiiEynMwvrbDOYA0VhQV6vWM_y93/view?usp=drive_link

Periyavar, an aging patriarch of a powerful crime family, races against time to anoint a successor to protect his mighty empire from an inevitable siege. He will have to fight to save the family, his Empire and most importantly – his Legacy..

Creator, writer and director Charukesh Sekar: ” Legacy is deeply personal to me, and I’m incredibly grateful to Netflix and Stone Bench for the creative freedom to bring it to life. I’ve always been intrigued by the complexities of human relationships and emotions, and writing it against the backdrop of a gangster world made it even more fascinating. This has been a team effort in every sense, supported by a powerhouse of talent both in front of and behind the camera. We intend to deliver the big screen immersive experience to personal devices. I’m excited for everyone to step into this world and meet these characters who mean so much to me .”

Actor R. Madhavan: ” Ever so rarely, as an actor, you come across a story that touches and excites you from within, and when you get a story like that, you grab it with all that you have… therefore, I’m so incredibly thrilled to be part of Legacy, a series that has all the makings of becoming its own title. It’s a story that is cleverly written, with great hooks and twists that truly make it unlike anything that’s been done in the Indian OTT space. It was an absolute pleasure to work with a filmmaker like Charukesh Sekar, and the incredible team at Stone Bench, who are truly pushing the envelope in Tamil cinema. Can’t wait for you all to see this, only on Netflix. ”

Actor Nimisha Sajayan: ” I’m so thrilled to announce my first Tamil series, Legacy, is coming to Netflix! It’s an incredible high-octane drama filled with emotions and thrills, and the cast is absolutely brilliant. This is my second time working with Stone Bench, and they truly feel like family. I have no doubt that our amazing director Charukesh and his talented, hardworking team will deliver a series that audiences will love. ”

DIRECTOR: Charukesh Sekar
PRODUCER: Kalyan Shankar
PRODUCTION: Stone Bench Pvt Ltd
KEY CAST: R. Madhavan, Nimisha Sajayan, Gautham Karthik, Gulshan Deviah, Abhishek Banerjee

Movified Reviews: LORD CURZON KI HAVELI: A WEIRD TAKE ON RACISM & WHITE SUPREMACY- AND THAT’S NOT A COMPLIMENT!

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Review by Prashant Shukla

Plot :

On a beautiful evening in London, Ira and Basuki arrive at Rohit and Sanya’s house for a casual meet-and-greet. Basuki’s a bit of a narc, Ira is the tolerant wife, while Sanya and Rohit seem a little too strange. Four Indians, one house, and a quiet evening, what unfolds between them forms the basic premise of the film!

Performances :

The four leads; Rasika Dugal, Paresh Pahuja, Arjun Mathur, and Zoha Rahman are simply flawless. Most of the film revolves around these four engaging in conversations, and with a script like this, it can either expose an actor’s limitations or become a testament to their craft. Thankfully, their performances fall in the latter category. Truly one of the few aspects where the film shines, even when the writing lets them down.

The Technical Aspects :

One more positive the film has is how it’s been shot! The long oners, deliberately unstable tracking shots, tight close-ups, and the overall claustrophobic atmosphere are executed brilliantly. It doesn’t save the film, but it definitely sets the tone perfectly — especially in the first half. The music, however, is almost non-existent, relying heavily on Beethoven’s classic piano piece Für Elise and an extensive use of ambient noise.

The Writing & Direction :

Anshuman Jha’s direction and Bikas Mishra’s writing can best be described as self-indulgent. The film does a solid job of setting the tone in its first 15–20 minutes — with weird characters, a hint of suspense, and a chilling atmosphere. But after that, it doesn’t really go anywhere — neither where you’d expect nor where you wouldn’t. It just lingers somewhere in between, leaving you unsure of what to feel. Also the second half drags considerably, and after a point, you simply find yourself waiting for it to end.

The Characters & The 2nd Half :

The characters, their decisions, and especially the way they react to certain situations catch you off guard! It’s hard to explain in a single line to someone who hasn’t seen the film but yes, it all feels extremely unnatural, even for characters as eccentric as these. Ultimately, the reason the film fails to deliver is its lack of a solid hook, especially in the second half. It loses its anchor, making it hard for you to care about anything, and takes such a random route that it completely detaches you from the screen. Swinging between being metaphorical and preachy — without committing to either — leaves you dissatisfied.

Final Verdict :

An ambitious suspense thriller that ends up being a huge mess that you don’t connect with as much as you want to!

Ananya Panday’s So Positive Introduces Dear Me – A Joyful Journaling Kit for World Mental Health Day

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Staying true to its core mission of promoting wellbeing and mental health in the digital age, So Positive by Ananya Panday marks World Mental Health Day with the launch of ‘Dear Me’, a heartfelt initiative with Odd Giraffe that celebrates slowing down, reflecting, and reconnecting with yourself through the joy of junk journaling.

Curated and designed by Ananya herself, Dear Me brings to life the joy of junk journaling, a playful, anything-goes way to document life’s little moments. It’s about creating without rules, letting imagination flow, and finding beauty in imperfection. In a fast-paced and hyper-digital world, the Dear Me journaling kit encourages people to disconnect and carve out time for themselves.

Speaking about the launch, Ananya Panday said,
“Whoever knows me, knows my love for journaling. It’s something I’ve done since I was a kid. Even now, between shoots or travel, whenever I get a moment, I love capturing moments that are precious to me and revisiting them later. It reminds me to pause and appreciate the little things along the way. My journal is filled with pictures of my family, my dogs, my friends, and little moments that make me smile. With Dear Me, we wanted to create something that helps people experience that same sense of freedom and joy. World Mental Health Day felt like the perfect moment to share this little piece of positivity with everyone.”

The “Dear Me” Junk Journaling Kit includes a specially designed journal by Ananya, sticker sets, decorative scrapbook sheets, envelopes and notecards, stationery items, and a personalised note from Ananya herself.

As part of its social responsibility focus, a part of the proceeds from this initiative will be directed to The Rati Foundation, to support all the great work that they do with their online safety initiatives.
Post link- https://www.instagram.com/reel/DPnmOFugk0U/?igsh=MTVuOTB3bWFhd3B3aw==

After it’s historic win in Venice, Anuparna Roy’s Songs of Forgotten Trees to close The Indian Film Festival of Sydney 2025

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The 11th edition of the Indian Film Festival of Sydney (IFFS) has officially elected the deeply moving Songs of Forgotten Trees, directed by the internationally acclaimed filmmaker Anuparna Roy as it’s closing night film which will take place on 12th October. The film, which recently won the prestigious Orizzonti Award for Best Director at the 2025 Venice International Film Festival, is a lyrical and meditative exploration of memory, resilience, and the sacred relationship between people and nature. Presented in Hindi, Songs of Forgotten Trees is set to have it’s Australian ore Kerr at IFFS, being touted as one of the biggest Indian international films of the year.

Festival Director Mitu Lange expressed her delight at the selection of such a monumental film to close the festival “We could not have imagined a more perfect closing for our 11th anniversary edition. Songs of Forgotten Trees embodies everything we at IFFS stand for cinema that moves, provokes, and heals. Anuparna Roy has created a cinematic poem that resonates universally, yet speaks deeply to our cultural roots. We are overwhelmed to have had the honor of presenting its Australian premiere.”

The 11th edition of IFFS is set to festatue a vibrant line-up of films, conversations, and masterclasses celebrating the best of Indian cinema, and concluded on an unforgettable note with Roy’s award-winning masterpiece. The festival’s finale underscored its growing reputation as a bridge between Indian filmmakers and global audiences, leaving cinephiles eagerly awaiting the next edition.

From The Bads of Bollywood to Acclaimed Roles: Vijayant Kohli’s Cinematic Journey

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Vijayant Kohli has been making waves recently with his role in The Bads of Bollywood. His performance really stands out and shows just how comfortable he is on screen. Fans are noticing his energy and the way he brings his characters to life.

Before this, he had already worked in some great films like Sikandar and Dunki, where he delivered strong performances that people still remember. He’s shown that he can handle different kinds of roles, whether it’s intense drama or comedy.

Here’s a list of some of his works:
Sapne VS Everyone
OK Jaanu
Maamla Legal Hai
Dunki
Brij Mohan Amar Rahe
Sikander
Kuttey
Candy

…& more

He also appeared in OK Jaanu, fitting perfectly into the romantic storyline and leaving an impression even in a supporting role. Over the years, Vijayant Kohli has proven that he’s a versatile actor who can adapt to any role, and it’s exciting to see what he’ll do next.